There were two rooms – one is contemporary art from a competition held every
few years, and one is traditional art. I wasn’t allowed to take any pictures
inside, so unfortunately I can’t show you. But I can tell you that the modern
art was awesome (and those of you who know my feelings on MoMA will be shocked
to hear me say that). Some of it was batik paintings that had incredible detail
(and each was accompanied by a brief explanation from the artist). There were
some really neat mixed media pieces too. Then there were bronze and wood
sculptures, too.
The
traditional art room had some pictures of the Bobo people in the early 1900s (
pictures were dated from 1900 to 1930 as I recall). It also had some samples of
different traditional cloth-weaving styles. There was a collection of
traditional masks that were pretty neat, as well as traditional sculptures.
After that,
the guide took me outside to tour two replica houses.
This one,
in the regional reddish color sand-mud-stone, is a traditional style village house. We even
went inside, and climbed up to the second story, so I could get a view from the
balcony. The tree trunk out front is a ladder to the top, but, well, I'm older than I used to be, and I don't need to break anything in a foreign country.
This one in
straw is a tradional Peul house (they’re a nomadic people, scattered throughout
a number of countries).
He also
took me behind the museum to the stream to get a look at the sacred fish of
Bobo-Dioulasso. He threw chunks of bread to get the fish to come up. I have no
idea what kind of fish they are, but they were long and seemed black (or dark
at least). You aren’t supposed to eat them, what with them being sacred and
all.
Not sure if
you can actually see even their shadows in this picture:
But here’s
what the little ledge overlooking the stream looked like:
Also the
museum gives a lot of artists workspaces back here. There were lots of
sculptures and other works in progress, and I stopped to take a picture of this
musical instrument. I don’t know what it’s called, but it sort of looks like a
sled-xylophone. The maker was busy cutting the tops off the gourds to get the right
acoustic, because the gourds get attached under the bars to create the
resonance. It was neat to hear him working, because even though the instrument
was so unfamiliar, tuning is universal. It was like an alternate universe
piano-tuning of sorts.
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